MVB Dovetail’s tone is crisp and straightforward, with classic letterforms set off with a touch of playfulness, giving the design both a practical and spontaneous personality.
THUNDERHOUSE FONT PRO
The sans serif MVB Solitaire Pro captures 21st century neutrality without becoming banal, and lives to serve one thing first: the text, the content. Steeped in tradition, MVB Verdigris Pro is an exquisite serif face delivering outstanding typographic color to text for immersive reading.
THUNDERHOUSE FONT SERIES
MVB offers a series of eminently legible text faces. The custom fonts Mark and his team develop for magazines and corporations inform the commercial typefaces they create for designers, and vice versa. MVB Fonts, the brainchild of Mark van Bronkhorst, was founded almost 30 years ago in 1991. MVB Fonts introduces its comprehensive collection Its constructed character is ideal for contemporary editorial works, architecture magazines, museum communication, and posters. Their humanistic construction and subtle calligraphic details lend it a friendly appearance, with round, open letterforms and generous horizontal proportions that make them easy to read.įrom the mind of ’90s type design icon David Quay, the display family Kade references industrial letters cut from large steel plates found on the side of ships. The Laski Slab and Laski Sans siblings are a comprehensive suite of fonts conceived for editorial purposes and corporate communication. Laski Slab and Laski Sans pair up as a complete typographic solution for complex design projects. Kade is the Dutch word for “quay,” a reference to the ports of Amsterdam and Rotterdam where David Quay found the inspiration for his design and the name of its designer. Tasman’s original purpose as a newspaper type influenced its proportions and look considerably - the goal was to keep the personality as warm and playful as possible while preserving a credible, trustworthy tone. Built according to humanist principles, Winco offers excellent reading comfort in long-form text, while striking design details reveal themselves in larger sizes. Its graceful calligraphic letterforms infuse editorial design, advertising, and more with a supple elegance. Try Lavigne if you are looking for a serif typeface that is warm and approachable. It combines well with Winco and Tasman, also featured in the illustration above. Lavigne has both text and display cuts with letterforms optimized for small and large type, respectively. Retype launches on Adobe Fonts with six type families. Retype founder Ramiro Espinoza dons two hats-one of a type historian researching Dutch vernacular lettering and historical faces and updating them for today, and one of a type designer examining the current state of graphic design and creating original typefaces for contemporary users. Retype revisits classics and rethinks modern types Learn more about Bold Monday at Type Network. The stately capitals lend confidence and class to headlines, titles, and logos, in print and on screen as well as on brick and mortar. Oskar One’s sharp apexes and expressive letterforms reveal its Art Deco roots Oskar Two is more reserved and versatile. Oskar is an all-caps titling face in plain and inline finish and two variants. Pieter mined early 20th century Dutch architectural and commercial lettering for inspiration during the development of Oskar. Personable in large sizes and serviceable when used small, its more showy characters can be toned down by activating stylistic variants. Incorporating subtle hints of vintage grotesque types, the typeface has bite and expresses a hint of quirk in its robust letterforms. The happy-go-lucky Bilo is Pieter’s answer to the sanitized, “neutral” sans serifs flooding the market. Wait until you discover the cute dog icons Dirk Uhlenbrock added to Bilo’s character set! Illustration guest starring Oskar in the black sticker. While they release both their own work and fonts from a select group of collaborators, the independent foundry’s initial offerings on Adobe Fonts are two type families from its founders. Inspired by New Order’s iconic 1983 hit - the best-selling 12-inch single of all time - Dutch type designers Paul van der Laan and Pieter van Rosmalen banded together as Bold Monday.
Strap in and get ready to rejuvenate your typographic toolbox with the offerings from no fewer than seven foundries new to Adobe Fonts (including two from Type Network), and a total of 122 new type families and six expanded families - all already licensed and included with your Creative Cloud subscription. Well, not exactly a gazillion, but you’ll have to agree over 1,000 is pretty impressive. It seems like the typographic world has also awakened, because typefaces are popping up on Adobe Fonts like a gazillion blossoms on a cherry tree. Spring Into Action with Fresh Fonts Rejuvenate your work with 1,075 fresh fonts in your Adobe Creative Cloud subscription.
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